Dulce is a swash typeface with an elegant and romantic touch. It is thin, but it becomes thick where two terminals meet and it also has swelling at terminals. Its wide range of ligatures makes it a versatile typeface, suitable for headlines and short phrases. You will see all of these ligatures on the screen, enabling “standard ligatures” and “discretionary ligatures” options. Ornaments are also included, which can be very useful for designing. Dulce is ideal for magazines, logotypes, advertising, etc. Use it for whatever you want and enjoy!
OTF | 1 Font | JPEG Preview | 3.7 Mb RAR
American Brewery was inspired by lettering found on vintage beer label. Clean and rough version are available, “rough” version comes with a vintage letterpress feel.
OTF | 2 Fonts | JPEG Preview | 5.8 Mb RAR
Anodyne is a warm and weathered all-caps font from Yellow Design Studio with hand-printed texture and unique shadow options. Features include four distress variations for each letter and at least two for every other character. Double-letter ligatures add realism by eliminating identical texture in adjacent characters. Layering regular and shadow versions allows independent control of the shadow color. Switch between lower-case and capital letters to change texture, or use opentype contextual alternates for additional, extra-distressed variations. Anodyne has an extended character set for multiple language support.
OTF | 6 Fonts | JPEG Preview | 9.8 Mb RAR
Recta was one of Aldo Novarese’s earliest contributions to the massive surge of the European sans serif genre that was booming in the middle of the 20th century. Initially published just one year after Neue Haas Grotesk came out of Switzerland and Univers out of France, and at a time when Akzidenz Grotesk and DIN were riding high in Germany and Gill Sans was making waves in Great Britain, it was intended to compete with all of those foundry faces, and later came to be known as the “Italian Helvetica”. It maintains traditional simplicity as its high point of functionality, while showing minimal infusion of humanistic traits. It shows that the construct of the grotesk does not have to be rigid, and can indeed have a touch of Italian flair. While the original Recta family lacked a proper suite of weights and widths, this digital version comes in five weights, corresponding italics, four condensed fonts, and small caps in four weights. It also includes a wide-ranging character set for extended Latin language support.
TTF | 18 Fonts | JPEG Preview | 5.3 Mb RAR
We are really happy to introduce you to Cinta, a brand new elegant sans serif font designed for text. It has a humanistic skeleton, dressed up with a hand-made mechanical suit, which made it rush, audacious. A dedicated tribute to the breakdown of mestizo music rhythm, bright, dreamy but completely real. Full of a broad variety of weights and versions, it’s able to produce subtle changes in the typographic stain. Perfect to make delicate hierarchy both in web and text and show the world their family background undoubtedly. Prudent and thrifty, condensed forms and with a generous x-height, it almost accidentally saves space and avoids being a spendthrift. Discreet even in the italic, slightly slanted to produce a subtle change of look on web use, will make a delightful for the most exquisite users with the audacity of modernity. Classic but not silly. Generous in abundance, with small caps, old numerals, denominators and numerators, fractions, ligatures, all you need to survive in the new modern life of Opentype with elegance. Polyglot, with support for Latin languages, Central European and Cyrillic. A delicate friend who will delight ladies and gentlemen who are discerning анд cosmopolitan.
OTF | 20 Fonts | JPEG Preview | 4.9 Mb RAR
Yummo is a geometric and somewhat condensed sans serif type family that can be used in wide range of applications. The minimal glyphs that had been shaped superbly will give modern and contemporary impressions. At the same time, the rounded shape make your typography softer and cuter. Yummo is not only ‘geometric rounded font’ but they have also humanness and loveliness as though they were handwritten. To accommodate wide range of usage, This family consists of 5 weights and includes diacritics for most European in each weights.
OTF | 5 Fonts | JPEG Preview | 4.6 Mb RAR
Telidon is an font reminiscent of dot matrix printer fonts of the 1970s and 1980s and are still in use today on retail receipts. Telidon is useful for simulating LED pixel board graphics. If you want a rougher, more authentic dot matrix printer look, Telidon has a sister family called Telidon Ink which has a distressed, inky appearance. The extended styles have doubled pixels, just like the dot matrix fonts of yesteryear.
OTF + TTF | 18 Fonts | 5.6 Mb RAR
Machi is a font, clean, mystic and contemporary geometric sans for titling. The uppercase is simple and clean, but in the lowercase have ornamental characters. It is perfect for headlines, apparel, fashion, album artwork, posters and logos. Photos by Claudio Sepulveda.
OTF | 1 Fonts | JPEG Preview | 5.3 Mb RAR
The common Slavic word Osnova means basis in English and βaση in Greek. This universal but still distinctive typeface can make a good ground for any design project. Osnova has six weights from Thin to Heavy with Italic, Small Caps, Old Style & Tabular Figures, some ligatures, alternatives and letter variations. It supports Central European, Greek and Cyrillic codepages, and will be suited for both display and text use.
OTF | 12 Fonts | JPEG Preview | 4.4 Mb RAR
CamingoDos Pro SemiCondensed fills the gap between CamingoDos Pro and CamingoDos Pro Condensed and combines them to a homogeneous and versatile type family. The flexibility of the semi-condensed version makes it a typographic all-rounder. On the one hand CamingoDos Pro SemiCondensed is perfectly suited for compact headline settings. On the other hand, it works well as an ergonomic, space-saving typeface for large texts. Package information: CamingoDos Pro SemiCondensed is available in the OpenType format, contains about 900 glyphs and supports most latin based languages. It offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.
PTF | 14 Fonts | JPEG Preview | 4.5 Mb RAR
Pyrénées FY, a geometrical and urban font to make beautiful headlines and posters. This Babyfont was co-created by Mr. Zyan and Alisa Nowak on fontyou.com, the first collaborative type foundry.
PTF | 1 Font | JPEG Preview | 9.8 Mb RAR
Idler is an all caps, modular display typeface meant to be used for big, bold lettering. Idler's two "main" weights (Idler Detail and Idler Plain) can be used effectively as single colored layers on their own, but the typeface's true potential is realized when the user layers the "shaded" weights along with the main weights to create a colorful 3D shading effect. The Idler family contains six weights all together: Idler Detail, Idler Plain, Idler Inner, Idler Highlight, Idler Shadow, & Idler Solid.
OTF | 6 Fonts | JPEG Preview | 5.9 Mb RAR
Created by Jovica Veljovic, the Agmena typeface family is a fine melding of digital technology and beautifully crafted Renaissance fonts. This typeface makes skilful use of proportion, form and spacing rather in the way that a practiced storyteller varies the timbre of his voice and deftly inserts longer pauses to bring his tale alive.
TTF | 8 Fonts | JPEG Preview | 5.5 Mb RAR
Specially designed for text size, Farrerons is a full-working Open-type Font. Looking superbly readible but providing a distinctive formal character for immediate impact due to its sudden strokes, mixing delightfully the ancient Roman Trajan inspired uppercase characters with lowercase characters inspired in XV´s humanistic types. A contemporary design that evokes the past but also embraces the future. The font features a full set of small caps, aligning, proportional, oldstyle and proportional oldstyle figures, plus stylistic sets for initial and finishing decorative characters. The font also contains an extended character set supporting Central Europe and Cyrillic languages.
OTF | 10 Fonts | JPEG Preview | 5.8 Mb RAR
Due to its popularity online, Verdana has effectively become the default sans serif typeface. Yet in print it tends to looks too heavy and a little unwieldy. As a response to this, FontFont released FF Basic Gothic. Influenced by the early sans serif typefaces of the 19th century and developed for today’s highest standards, it is a sans serif optimized for maximum legibility. With its functional, basic look, it is willful but pleasant at the same time. Inspired by the unique letter forms of Gill Sans and Antique Olive, designers Hannes von Döhren and Livius F. Dietzel searched for exceptional yet legible proportions. At the same time, the letters were stripped down to their basic forms, with precise curves and straight lines, making FF Basic Gothic extremely versatile for a multitude of applications. Corporate Designers like the family’s extended weight range, too. The type family performs especially well in small sizes, both in print and on the screen—thanks to the hinting experts of the FontFont Type Department. The heavy weights have stronger contrasts and unfold their strength in bigger sizes. They have an eye-catching appearance in newspaper or magazine headlines.FF Basic Gothic is equipped for complex, professional typography. The OpenType Pro fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes small caps, fractions, old style, lining and tabular numbers, scientific superior/inferior figures, alternates, and a set of arrows.
OTF | 16 Fonts | JPEG Preiview | 7.5 Mb RAR